Heart Productions - Theatre with a beat

All-round strong acting, especially from Horobin’s gentle Caliban . . . Napua Davoy’s apt musical accompaniment.

The Stage

Brave New Sequel

Fringe theatre should be wary of performing Shakespeare . . . what they can do, however, is reinterpret, and here we have a fine example of this.  Let’s write new versed dialogue (you have to admire both the ambition and the achievement) but do not forget to re-examine some of the original words.

Good Shakespeare combines the visual with the oral.  Here mention should be made of the following: the clever decision to blend new costumes with the old; the use of lights to suggest imagined sequences, and indeed warmth and togetherness; the sound effects throughout which capture the eeriness of the location; the music score which greatly adds to the emotion.

There is certainly more for the Shakespeare fan but the story can appeal to everybody.

UK THEATRE NETwork

The music composed for Tempest fugit was amazing. It really helped set the tone of the events . . . the performances were very striking by all involved . . . . I was very impressed with this performance.

Overall, Tempest fugit was an interesting experience that is best observed by those with a keen and thoughtful eye. It is not, however, a play to be seen for the sake of entertainment.

Indie London